COMPOSE

Tutorials by Dianne Mize

Saturday, January 24, 2009

Size: It's Bigger Than You Think

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What a surprise for me when I finally realized how small most daily paintings are. Looking through blog after blog of these little jewels,...
4 comments:
Saturday, January 17, 2009

And Then There Is Shape

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What is a shape? Try this. A shape is an area enclosed with edges, specific or implied . That's my definition. I could not believe ...
6 comments:
Saturday, January 10, 2009

Our Visual Vocabulary: The List and Line

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Writers have words. Words have roles. A noun tells us what a thing is; a verb tells us what it is doing. Adjectives tell us something abo...
4 comments:
Thursday, January 1, 2009

Lists and "Thanks, Making a Mark"

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If you haven't already discovered Katherine Tyrrell's brilliant blog " Making a Mark, " you must and not because she recog...
4 comments:
Saturday, December 27, 2008

The Artist's Zone

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There's no better place for an artist to be than "in the zone". It's a place where all creative people function at their ...
4 comments:
Friday, December 19, 2008

Unity, Not the Same as Harmony

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Last week, I introduced the idea that unity and harmony play different roles in our painting. I focused that discussion on harmony. Here...
7 comments:
Friday, December 12, 2008

Harmony and Unity

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In the blogs and other art circles, we see the words harmony and unity talked about like a chef discusses salt and spices, but often I see...
3 comments:
Saturday, December 6, 2008

Scale and Composing

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This week's and last, I'm responding to Dar who commented: I wonder if you have any thoughts about format (size, shape, orientation)...
4 comments:
Saturday, November 29, 2008

Format and Scale

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Last week, Dar commented: I wonder if you have any thoughts about format (size, shape, orientation) and scale (life size, sight size at arm...
3 comments:
Saturday, November 22, 2008

Discover Harmony by Squinting

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Readers of this blog know by now that I'm an ardent fan of Richard Schmid. Recently while watching the critique section of his video, N...
5 comments:
Saturday, November 15, 2008

Balancing Harmony

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Nothing grates on the human nervous system like a dominance of dissonance. And so a good sense of harmony is as paramount to a painter as i...
2 comments:
Friday, November 7, 2008

The Utility of What Is Not

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We put thirty spokes together and call it a wheel; But it is on the space where there is nothing that the utility of the wheel depends. We t...
Saturday, November 1, 2008

Tracing Projections

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A practice that can directly effect our compositions is tracing projections. No other issue in the field of painting stimulates as much pas...
Saturday, October 25, 2008

Pulling More Good From Bad

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In the long run, it's best not to work from poor reference material, but on rare occasions, you might want to do a painting or drawing ...
Saturday, October 18, 2008

Bad Photo Reference--Good Painting

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Let's face it. There are times when we must work in the studio using resource material although, I agree, the best reference material i...
2 comments:
Saturday, October 11, 2008

Ten Composing Commandments

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Not long after I began this blog about composing, I started receiving e-mails from various artists asking me what I think are the most im...
2 comments:
Saturday, October 4, 2008

In Defense of Structure

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This is in defense of the tools I keep talking about, those freeing principles that give our paintings an underlying structure just as the s...
1 comment:
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