COMPOSE

Tutorials by Dianne Mize

Friday, September 30, 2011

How One Painting Is Composed

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Frequently folks want to take issue with how much composing a painter does.  But the seasoned painter knows that to get it right, it must be...
Friday, September 23, 2011

Getting To the Point

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An adroit artist can focus our attention without our being aware of what's happening. One easy method to make this happen is a visual de...
2 comments:
Friday, September 16, 2011

Take This Path

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A path for a painter is like a melody line or chord progression for a composer.  It's our way of getting the viewers' attention then...
4 comments:
Sunday, July 3, 2011

Alzheimer's Has Not Taken Her Art

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One of my students of many years is now 92 years old and has Alzheimer's, yet even though she had not touched a brush in several years, ...
3 comments:
Saturday, June 25, 2011

Understanding Intensity in Color

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Color contains three attributes:  hue,  its location in the spectrum;   value,  how much light or dark it holds, and intensity (also called ...
Saturday, June 11, 2011

An Argument for Principles of Composition

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BOUNDARIES We live in an era of artists rebelling against boundaries.  It's nothing new-- questioning boundaries is a driving force tha...
2 comments:
Friday, May 27, 2011

When NOT To Compose

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Earlier this spring, I visited a sheep farm to watch the annual sheering.  I had expected to see the sheering process, but had not anticipat...
3 comments:
Saturday, May 21, 2011

The 20th Century Argument

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This post is more editorial than tutorial.  Important nonetheless. In a recent issue of  Southwest Art , Richard Schmid was asked, "...
4 comments:
Saturday, May 7, 2011

One Idea, Many Variations

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How many variations can you put on a theme? Turkish pianist Fazil Say shows us how Mozart, being both playful and naughty, took "Twink...
Saturday, April 23, 2011

It's Set in the Key

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This is my vacation piece.  I'll be on medical sabbatical for a little while getting my right hand--my dominant one--repaired and recupe...
5 comments:
Saturday, April 16, 2011

The Power of Gesture

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Our gestures express our identity.  Whether in our handwriting,  our gait, or the movement of an arm while talking, folks who know us recogn...
Saturday, April 9, 2011

The Power of a Repoussoir

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What do I do if I want to get your attention? In his popular Fifth Symphony, Beethovan gets our attention with a precise da/da/da/DUM.  An...
1 comment:
Saturday, April 2, 2011

Limits Or An Open Door?

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There are no limitations except those we impose.  No form or pattern any artist selects need be confining, rather a glue that holds the piec...
3 comments:
Saturday, March 26, 2011

What's In This Greatness?

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We wonder why some art works live for centuries while others get lost in archives of communal memory. Visual artists, writers and composers ...
3 comments:
Sunday, May 23, 2010

Current Update

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Howard left us on January 28 of 2010.  I am in the throws of regrouping and coming to terms with my loss.  I have begun painting again, but ...
4 comments:
Monday, October 19, 2009

October Update

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In July my intentions were to write to this blog when there was an occasional available moment, but there has been no time for that. Howard ...
3 comments:
Saturday, July 11, 2009

Update and More Immediate Plans

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It has now been three months since hospice became a way of life in our home. Howard is a real trooper, demanding in every way quality of li...
8 comments:
Sunday, April 12, 2009

A Brief Time Off Line

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Dear Friends, I wanted to let you know that I have not disappeared, but I will be off-line for some time to come. My soul mate and lif...
17 comments:
Saturday, March 28, 2009

The Complete Picture

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Early on in my teaching career, I encountered a chart by Ocvirk, Bone, Stinson and Wigg in a text entitled Art Fundamentals, Theory and Prac...
1 comment:
Saturday, March 21, 2009

Free To Create: The Big Eight

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If you've been keeping up with this blog, you know that for the past eight weeks, I've been addressing individually our visual vocab...
2 comments:
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